Eseji i članci

Karaman writes about ancient Croatian art, including 9th–11th century braid ornamentation and architecture, such as the churches in Nin and Zadar. He explores the influences of Byzantine, Carolingian, and Romanesque art, but emphasizes the originality of Croatian masters. He pays special attention to Romanesque monuments, such as Radovan’s Portal in Trogir, analyzing their style and symbolism. He also addresses issues of conservation, criticizing the lack of systematic heritage protection.

The collection includes essays on Renaissance and Baroque artists in Dalmatia, connecting them to Italian influences, but also to local specificities. Karaman discusses the role of the church and nobility in the development of art, as well as the social conditions that shaped the cultural scene. His texts are characterized by clarity, wealth of information, and passionate advocacy for the preservation of Croatian heritage.

The book reflects Karaman’s erudition and analytical approach, adapted to a wider audience, but with a deep scientific foundation. The work is crucial for understanding Croatian art history and Karaman's contribution to its study, offering insight into Croatia's cultural connection with Europe.