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The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
Good Day, Comrades is a charming novel, subtle in its depiction of the political difficulties of a small, little-known African nation.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
"The Blue Lagoon" is a tender, sensual story about the sexual awakening of a young man and a girl growing up on a deserted island.