Henry Miller

 

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Rakova obratnica

Rakova obratnica

Henry Miller

Ovo je optužba, kleveta, lična uvreda. Ovo nije knjiga, u običnom smislu te reči. Ne, ovo je neprekidna uvreda, pljuvanje u lice umetnosti, noga u turu protiv Boga, Čoveka, Sudbine, Vremena, Ljubavi, Lepote...šta god hoćete.

Sveučilišna naklada Liber (SNL), 1981.
Croatian. Latin alphabet. Hardcover with dust jacket.
6.30 - 7.56
Rakova obratnica

Rakova obratnica

Henry Miller

Ovo je optužba, kleveta, lična uvreda. Ovo nije knjiga, u običnom smislu te reči. Ne, ovo je neprekidna uvreda, pljuvanje u lice umetnosti, noga u turu protiv Boga, Čoveka, Sudbine, Vremena, Ljubavi, Lepote...šta god hoćete.

Šareni dućan, 2006.
Croatian. Latin alphabet. Paperback.
11.46
Rakova obratnica

Rakova obratnica

Henry Miller

Das ist eine Anschuldigung, eine Verleumdung, eine persönliche Beleidigung. Dies ist kein Buch im üblichen Sinne des Wortes. Nein, das ist eine ständige Beleidigung, eine Spucke ins Gesicht der Kunst, ein Tritt in den Wind gegen Gott, den Menschen, das S

Otokar Keršovani, 1967.
Croatian. Latin alphabet. Hardcover.
6.84
Ružičasto raspeće III: Nexus

Ružičasto raspeće III: Nexus

Henry Miller

Nexus, (1960), the final installment of the Pink Crucifixion trilogy, continues the autobiographical narrative from Sexus and Plexus. The novel follows Miller's alter ego in 1920s New York, focusing on his inner development, relationships, and artistic qu

Otokar Keršovani, 1978.
Croatian. Latin alphabet. Hardcover.
6.26
Ružičasto raspeće II: Plexus

Ružičasto raspeće II: Plexus

Henry Miller

Plexus (1953), the second part of the trilogy, continues the autobiographical story begun in Sexus. The novel focuses on Miller's life in New York in the 1920s, exploring his artistic pursuits, relationships, and struggle for freedom from social conventio

Otokar Keršovani, 1978.
Croatian. Latin alphabet. Hardcover.
6.24
Ružičasto raspeće I: Sexus

Ružičasto raspeće I: Sexus

Henry Miller

Sexus (1949) is part of the Rosy Crucifixion trilogy, in which, with less intensity than in his most famous works published in Paris in the 1930s, his rebellion against a dull and hypocritical America is sublimated.

Otokar Keršovani, 1978.
Croatian. Latin alphabet. Hardcover.
6.26