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Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
Short, rhythmic, playful and humorous poems portray the world from a child's perspective, simultaneously entertaining and gently teaching.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.