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The poetic and travel writing of Velesja by Adnan Žetica is a depiction of the inner sensibility of a poet, storyteller, and essayist who, through his literary expression, often conducts a dialogue with himself, as well as with his reader.
The collection "Uglavnom adjevjevi" by Hrvoje Jurić brings together ten cycles of poetic sketches and poems.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
In Trip to Dachau, there is no tolerance for the “infatuated,” for those who “didn't know,” for those who “repent” with a fat fig in their pocket. She openly hates – hatred itself.
The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.