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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Knjiga Kant nakon Duchampa je zbirka od osam eseja koji gravitiraju oko jedne središnje teze s brojnim implikacijama za povijest avangarde.
Uz Kritiku čistog uma i Kritiku praktičnog uma, ovo treće veliko Kantovo delo je jedan od kamena temeljaca njegove filozofske građenja, ali i zaokružuje celokupan njegov pogled na svet.