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This extensive 438-page work analyzes the reception and critical reviews of the work of one of the most significant Croatian poets, Tin Ujević, within the Yugoslav literary space.
The first third of the book provides reviews of Russian literature (Chekhov, Ljeskov, Pushkin...). The second chapter deals with world literature (Balzac, Stendhal, Roland...), and the third chapter contains general articles.
This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.
Literature until the National Revival (1100-1830), Literature from the National Revival to the 1970s (1830-1965)
Novica Milić gives Basara the status he deserves - he reads him as a relevant world writer. He "pulls" it out of the bilge of the palanquin and places it on the stage of world literature, where only one thing matters: what and how the writer does with wor
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.