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As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The following pages are torn from the book of the people's revolution. From the book? No, from the womb, from the veins, from the bloodstream, from the roots of life. They are the history of love.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".