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Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
A Little Before Everything, Long Ago We Are is the eleventh collection of poetry by Goran Rem (b. 1958, Osijek), a poet, essayist, literary historian, and member of the Quorum generation in Croatian literature.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.