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At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.
Women tell the truth about sex, loneliness, work, motherhood, and marriage.
The disturbing and emotionally exhausting story tells about a painter who, with her artistic passion, opposed the expectations imposed on her by her parents.
The book is composed of 22 chapters, and in the first, introductory chapter, entitled The Ugly Face of Primitivism, Agić explains the reasons and mechanisms of social rejection.
The story, centered on the brilliant forger Mihovil, criticizes the literature and art of our time. It also reflects on a society that is ready to adapt the coordinates of history to its own needs.