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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.