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In the book Nature in Art, Kenneth Clark follows the development of the depiction of nature in Western art from antiquity to modern times.
The collection includes essays and criticisms dedicated to the visual arts, written over several decades. The focus of these texts is on the visual arts, with an emphasis on Croatian and European artists, and on the relationship between art and ideology.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Through these "miniatures", the author brings the reader closer to the world of different traditions, emphasizing the beauty, mysticism, and complexity of Islamic culture, but also universal themes such as transience, identity, and the meaning of life.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.