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This study belongs to the earlier period of Cvjetko Milanja's scientific and critical work, and deals with the analysis and interpretation of the poetic oeuvre of Dragutin Tadijanović, one of the key Croatian poets of the 20th century.
In her preface Mrs. Moorman modestly claims that she has not learned "many new facts about Wordsworth," but she certainly enriches the outline of his early years.
The book, in its original hardcover in Art Nouveau style and awarded by the Adolf Veber-Tkalčević Foundation for 1894, represents a pioneering work of Croatian literary theory and an introduction to a thorough study of the development of Russian literatur