Sami u toj šumi

Reading and looking at this book, we have the impression that the poet and photographer are seriously struggling to express and show this world with their own means – primarily set in Draga Glamuzina's trilogy, which, in addition to the aforementioned collections, also includes the novel Three – as if suddenly different media, language and image, busy with the same thing, impression, emotion, thought, state, are simultaneously clashing and cooperating. From the relationship between photography and poetic text, it seems as if they, in some way, want to take away the primacy of each other, to impose themselves in what they are talking about and showing. From this relationship, which is conflict, but also togetherness, synergy, comes what I think is the most important effect of this book. The photographs are not just illustrations, they are not just decor, they are a continuation of this poetic world, just as poetry acts as an extension and continuation of what we see in the photographs.