
Kako prepoznati umetnost : Etrurska umetnost
One copy is available

One copy is available
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A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
The book shows how the Renaissance in Croatia and Slovenia was not just a copy of Italian models, but an original synthesis of domestic and foreign influences, making it an important part of European artistic heritage.
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie
One of the most important works in the field of art history. Through this work, Faure gave a unique and personal view of the development of artistic creativity. 73 p. with boards, A-H folded p. with synoptic tables.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.