Henry Miller
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Rakova obratnica
Ovo je optužba, kleveta, lična uvreda. Ovo nije knjiga, u običnom smislu te reči. Ne, ovo je neprekidna uvreda, pljuvanje u lice umetnosti, noga u turu protiv Boga, Čoveka, Sudbine, Vremena, Ljubavi, Lepote...šta god hoćete.
Rakova obratnica
Ovo je optužba, kleveta, osobna uvreda. Ovo nije knjiga, u običnom smislu te riječi. Ne, ovo je neprekidno vrijeđanje, ispljuvak u lice Umjetnosti, noga u tur Bogu, Čovjeku, Sudbini, Vremenu, Ljubavi, Ljepoti…čemu god hoćete.
Rakova obratnica
Das ist eine Anschuldigung, eine Verleumdung, eine persönliche Beleidigung. Dies ist kein Buch im üblichen Sinne des Wortes. Nein, das ist eine ständige Beleidigung, eine Spucke ins Gesicht der Kunst, ein Tritt in den Wind gegen Gott, den Menschen, das S
Ružičasto raspeće III: Nexus
Nexus, (1960), the final installment of the Pink Crucifixion trilogy, continues the autobiographical narrative from Sexus and Plexus. The novel follows Miller's alter ego in 1920s New York, focusing on his inner development, relationships, and artistic qu
Ružičasto raspeće II: Plexus
Plexus (1953), the second part of the trilogy, continues the autobiographical story begun in Sexus. The novel focuses on Miller's life in New York in the 1920s, exploring his artistic pursuits, relationships, and struggle for freedom from social conventio
Ružičasto raspeće I: Sexus
Sexus (1949) is part of the Rosy Crucifixion trilogy, in which, with less intensity than in his most famous works published in Paris in the 1930s, his rebellion against a dull and hypocritical America is sublimated.