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In this provocative essay, Sloterdijk intervenes in the heated debate of the 1980s about modernism and postmodernism. A short, sharp text – essential for understanding Sloterdijk's early approach to aesthetics, media and the crisis of modernity.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie