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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Der Diskurs von Leonida Kovač ist explizit und direkt, fast körperlich. Es füllt und stört den Raum. Ihre Theorie imitiert die Arbeit des Performativen, sie ist aktiv. Es findet zu einem bestimmten Zeitpunkt und an einem Ort der Äußerung statt.
Along with the Critique of the Pure Mind and the Critique of the Practical Mind, this third major work of Kant's is one of the cornerstones of his philosophical building, but it also rounds off his entire view of the world.