Francuska književnost
Žerminal
In his best work, Germinal, Émile Zola realistically described the inhuman living and working conditions of miners in northern France in the 60s of the 19th century.
Žerminal
In his best work, Germinal, Émile Zola realistically described the inhuman living and working conditions of miners in northern France in the 60s of the 19th century.
Žerminal
In his best work, Germinal, Émile Zola realistically, in minute detail, described the inhuman living and working conditions of miners in northern France in the 1860s.
Žetva
In the abandoned Provençal village of Aubignane lives the recluse Panturle. The arrival of young Arsula changes his life and gradually brings life back to the village that was doomed to disappear. With a foreword by Josip Bogner.
Zima u Sokchu
Suptilan i atmosferski roman o mladoj francusko-korejskoj ženi koja radi u pansionu u zimskom Sokču, blizu granice sa Severnom Korejom. Susret sa francuskim crtačem stripova pokreće pitanja identiteta, pripadnosti i neizrečene bliskosti.
Život Byrona
Biografija „Život Bajrona“ (1930) Andrea Moroa je detaljan prikaz života i dela engleskog romantičnog pesnika Džordža Gordona Bajrona (1788–1824).
Zmijska kuća
U delu „Zmijska kuća“, M. Deli kombinuje ljubavnu priču sa napetom misterijom o nasleđivanju, izdaji i iskupljenju. U mračnom zamku ispunjenom intrigama, junaci otkrivaju da samo vera i čista ljubav mogu pobediti zlo.
Zola: njegov život, njegovo djelo i njegova borba
Zola: Njegov život, njegovo delo i njegova borba (1940) je biografija koju je napisala Deniz Leblon-Zola, ćerka Emila Zole. To je intiman i posvećen prikaz života njenog oca, književnog rada, naturalizma i hrabre borbe u Drajfusovoj aferi.
Zver-čovek
Roman istražuje destruktivne sile nasleđa, strasti i nasilja u modernom industrijskom društvu. Radnja se odvija uglavnom na železnici, simbolu brzine, sudbine i neizbežne propasti. „Čovek zver” je prvi opis kriminala u industrijskom svetu.
Zvonar bogorodičine crkve
Zvonik (1831) nije samo priča o ljubavi i tragediji – to je živopisna slika Pariza na pragu renesanse, gde gotska katedrala Notr Dam postaje gotovo glavni lik, živo biće od kamena koje diše istorijom, patnjom i lepotom.
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