Kodovi identiteta

Kodovi identiteta

Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.

Leonida Kovač's discourse is based on the legacy of post-structuralist transgressive textual production: Lacan, Foucault, Kristeva, Deleuze, Guattari, Baudrillard and many others. The influence of Slovenian Lacanian theory and psychoanalytic interest in social performativity is undeniable.

When he approaches the artist (subject/object), he observes him through the contextual possibilities of doubling, hiding and producing identity. A work is something that functions as a symptom: a demonstrative critical appearance (unforced) of the order of Reality, the Symbolic and the Imaginary. That is why she returns to the postmodern discourse the phraseology of the avant-garde, politics and excessive reality: subversion, movement of capital, position of power, change of perception, transgression, symbolic system, usurped reality, digressions, framing, impossible...

Urednik
Branko Čegec
Naslovnica
Boris Malešević
Dimenzije
20 x 12,5 cm
Broj strana
151
Izdavač
Meandar, Zagreb, 2001.
 
Latinica. Broširano.
Jezik: Hrvatski.
ISBN
978-9-53206-048-5

Jedan primerak je u ponudi

Stanje:Korišćeno, u odličnom stanju
Dodato u korpu!
 

Zanima Vas i neka druga knjiga? Možete pretražiti našu ponudu pomoću pretrage ili prelistati knjige po kategorijama.

Možda će Vas zanimati i ovi naslovi

Bestijarij: Od predaje do umjetnosti i natrag

Bestijarij: Od predaje do umjetnosti i natrag

Jadranka Damjanov

A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.

Sipar, 2008.
Hrvatski. Latinica. Broširano.
12,56 - 12,58
Umjetnost u slici 11: Bizant i njegov svijet

Umjetnost u slici 11: Bizant i njegov svijet

Christa Schug-Wille

Bogato crno-bijelim fotografijama i fotografijama u boji.

Otokar Keršovani, 1970.
Hrvatski. Latinica. Tvrde korice.
5,98 - 6,28
Kako prepoznati umetnost : Etrurska umetnost

Kako prepoznati umetnost : Etrurska umetnost

Vuk Karadžić, 1980.
Srpski. Latinica. Tvrde korice.
3,98
Umjetnost u slici 14: Kasni srednji vijek

Umjetnost u slici 14: Kasni srednji vijek

Hans H. Hofstatter

Bogato crno-bijelim fotografijama i fotografijama u boji.

Otokar Keršovani, 1968.
Hrvatski. Latinica. Tvrde korice.
6,00 - 6,28
Kant after Duchamp

Kant after Duchamp

Thierry de Duve
The MIT Press, 1996.
Engleski. Latinica. Broširano.
27,4624,71
Barok i rokoko

Barok i rokoko

Germain Bazin
Izdavački zavod Jugoslavija, 1966.
Srpski. Latinica. Tvrde korice s omotom.
10,98