Ruska književnost
Vojnici se ne rađaju 1-2
Roman „Vojnici se ne rađaju” Konstantina Simonova prikazuje borbe Crvene armije na Staljingradskom bojištu te prati vojnike i zapovjednike koji kroz ratna iskušenja sazrijevaju i postaju pravi ratnici.
Zaštitna povelja / Detinjstvo Liversove / Il Tratto di Apelle / Vazdušni koloseci / Pisma iz Tule
Zbirka autobiografske i rane proze Borisa Pasternaka istražuje tajnu umjetničkoga stvaralaštva, sazrijevanje i moralne izbore pojedinca. Kroz lirsku prozu razotkriva se poetika ruskog nobelovca.
Zaštitna povelja / Detinjstvo Liversove / Vazdušni koloseci / Pisma iz Tule
A collection of Boris Pasternak's autobiographical and early prose explores the maturation of the artist, the secret of creativity, and the impact of historical upheavals on the individual. Through lyrical expression, the inner world and poetics of the Ru
Zaštitna povelja i druge proze
This book brings Pasternak's autobiographical work with the symbolic title The Protective Charter (1931) and a series of his most beautiful early stories. Through lyrical prose, the poetics and spiritual world of the Russian Nobel Prize winner are reveale
Živi i mrtvi
The novel is the first part of Konstantin Simonov's war trilogy, depicting the first years of the Great Patriotic War through the fates of soldiers and civilians, their struggles and attempts to survive the horrors of war.
Život jednoga umjetnika - Maksim Gorki
"The Life of an Artist", by Ilya Gruzdev, is a biographical work that deals with the life and work of Maxim Gorky, one of the most important Russian writers and social reformers.
Zlatni ključić
The novel represents Tolstoy's adaptation of Pinocchio by Carlo Collodi; he got the idea for the novel as a child, when he was read only the first part of the book, so he invented the rest himself.
Zlatni ključić
The Golden Key follows the adventures of the wooden boy Buratino, who, with the help of his friends, tries to discover the secret of the golden key. On the way, he faces fraudsters and the evil Karabas Barabas.
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