Francuska književnost
Stranac
Stranac je roman kojim je Camus postigao prvi veliki uspjeh na koji je utjecaj izvršila Nietzscheova filozofija, Sartreova filozofija egzistencijalizma te, najviše, njegova filozofija apsurda.
Stranac
Stranac je roman francuskoga književnika i filozofa Alberta Camusa. Izdan 1942. godine, jedan je od najznačajnijih romana francuske književnosti dvadesetog stoljeća i jedan od najboljih literarnih prikaza apsurda ljudske egzistencije.
Stranac
Roman Stranac (1942.) djelo je francuskog pisca Alberta Camusa i ključni tekst egzistencijalizma i apsurda. Roman je napisan u sažetom, gotovo monotonom stilu, što pojačava osjećaj otuđenosti.
Stranac
"Stranac" (1942.) Alberta Camusa, klasično djelo egzistencijalizma, prati život Meursaulta, emocionalno indiferentnog Alžirca francuskog podrijetla, čiji apatičan odnos prema svijetu vodi do tragičnih posljedica.
Taida: roman iz aleksandrijskih vremena
Roman Taida, objavljen 1890. godine, jedno je od najpoznatijih djela francuskog nobelovca Anatolea Francea. Djelo je inspirirano legendom o svetoj Taidi iz Egipta, kurtizani iz 4. stoljeća koja se obratila na kršćanstvo.
Taida: roman iz aleksandrijskih vremena
The novel Taida, published in 1890, is one of the most famous works by French Nobel Prize winner Anatole France. The work is inspired by the legend of Saint Taida of Egypt, a 4th-century courtesan who converted to Christianity.
Tajanstveno ostrvo I-II
The novel follows five fugitives from the American Civil War - engineer Clyde Smith, journalist Gedeon Spilett, sailor Pencroft, young Herbert and black man Nabu - who escape the siege of Richmond in a balloon, but a storm takes them to an unknown Pacific
Tajna Ker-Evena
The novel "The Secret of Ker-Even", a two-part classic of romance and espionage by M. Delly (pseudonym of sisters Maria and Jeanne-Marguerite Delly), takes place in Breton.
Talijanske kronike
Flipping through old Italian chronicles, Stendhal finds motifs for a series of his novels in which he depicts the passions of the Middle Ages and the unrestrained madness of the Renaissance.
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