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The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
Fra Martin Nedić was the first Bosnian Illyrian, one of the fathers of the Illyrian movement, a leading intellectual of his time, a church diplomat, a Franciscan friar, a builder, an educator, a historian and a writer.
A Little Before Everything, Long Ago We Are is the eleventh collection of poetry by Goran Rem (b. 1958, Osijek), a poet, essayist, literary historian, and member of the Quorum generation in Croatian literature.