The book was edited and the foreword was written by Nada Pavičić-Spalatin.
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The collection of poems by Vladimir Vidrić, published by Matica Hrvatska in 1963, edited by Nada Pavičić-Spalatin, brings together the pinnacle of Croatian modern poetry.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.