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This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.
This book describes the works of fifty-six Croatian writers in comparison to eight hundred world authors.
The book systematically explores the fundamental spiritual, cultural, and aesthetic sources of poetry. Through consideration of motifs, tradition, language, religion, and worldview, Grgec shows how poetic expression and experience are shaped.
This textbook is a concise framework for lectures on Croatian autobiographical prose.
Die Arbeit diskutiert traditionale Definitionen von Wörtern, aber auch zeitgenössische kognitive Ansätze zu ihrer Erkennung und der Interpretation des Verarbeitungsprozesses sowie der Art und Weise, wie sprachliche Daten im menschlichen Gehirn organizati
Russian formalism, French New Criticism, post-structuralist American criticism, aesthetics of reception, Marxist criticism